Nick cave discography song of joy
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“I think Murder Ballads let people feel that they could laugh, even if they were listening to an album full of songs about death.” “There are some very funny songs in there,” says journalist Bernard Zuel in the documentary Great Australian Albums: Murder Ballads – Nick Cave And The Bad Seeds. The black humour that pervades Murder Ballads is one of the album’s great strengths. But already, the characters were moving into place. Cave was a decade away from creating Murder Ballads.
Nick cave discography song of joy trial#
The 1986 album Your Funeral… My Trial showed Cave emerging as a songwriter of real depth, creating songs infused with Old Testament ideology and populated by ‘bad’ souls: the murderers, the white trash, the drunks and the prostitutes who would receive little or no redemption. His narrative prose had echoes of Leonard Cohen, while his increasingly rich, resonant baritone evoked a darker, more demonic Scott Walker. Lyrically, Cave focused on themes of death and love. Sound-wise, Nick Cave And The Bad Seeds were inspired by a mythic American Deep South, creating dark arrangements that drew on spirituals and Delta blues. After relocating to London, they released their debut album From Her To Eternity on Mute Records in 1984, followed one year later by The Firstborn Is Dead.
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The Bad Seeds emerged from the ashes of The Birthday Party in 1983, formed around the nucleus of Cavemulti-instrumentalist Mick Harvey and guitarist Blixa Bargeld, from the band Einstürzende Neubauten. Such themes had permeated Cave’s work since his formative years with The Birthday Party, whose confrontational post-punk earned them the dubious moniker of “most violent band in the world”. Nick Cave was no stranger to the concept of ‘murder ballads’, folk songs dating back to the 17th century that involved accounts of killings, told from the viewpoint of the murderer or victim. Over three decades on, it remains one of their finest recorded achievements. is is an album with a glorious, gleeful sense of abandon – and one that, despite its lyrical depravity, is one of his most musically ornate and accessible works. Cave has often spoken of Murder Ballads as being something of a “holiday” for himself and The Bad Seeds, and there is certainly a playfulness here. The Bad Seeds, at this point, were a band at the peak of their powers, a fearsome outfit that breathed real fire into Murder Ballads, but one always capable of great musical restraint. Such characters fuelled Cave’s rich lyricism and fed his abundant dark wit.
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By the close of the album, the death toll had reached 75, plus one dog.
Nick cave discography song of joy serial#
Throughout Murder Ballads, Cave gleefully populated the songs with a rogues gallery of some of the most despicable, murderous characters imaginable: from psychotic serial killers and damned souls to a teenage banshee-wailing schoolgirl, basking in the vicious slaughter of her fellow villagers. The fact that the song was essentially about a woman being battered to death with a rock did nothing to diminish its success. Where The Wild Roses Grow was Nick Cave And The Bad Seeds’ most commercial single to date and brought the band and the album to the attention of a much broader audience. ‘Who’s that tall, scary man performing with her?’.” Rogues Gallery “It’s like, these Kylie fans down the front, just growling at him: ‘Who are you?’. “I think it took my fans a while to come to terms with that,” recalled Minogue with a grin. What those little girls down the front are actually like, what they’re actually saying to you when you think that they’re actually clapping you, it’s really into the lion’s den. “It all became very surreal after a while, because we had a major hit in England with that song. “We were slightly agog… us having to go on Top Of The Tops and sing this stuff with Kylie,” recalled Cave in the documentary Great Australian Albums: Murder Ballads – Nick Cave And The Bad Seeds. But they were unprepared for the reception that awaited them. The irony of such a dark and visceral outfit as The Bad Seeds appearing on the UK’s premier pop-music format wasn’t lost on the band. Cave and Kylie were performing their duet Where The Wild Roses Grow, from the band’s forthcoming album, Murder Ballads.
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Standing to the left, rear and right of Minogue – with expressions ranging from boredom to mild bewilderment – were the besuited members of Nick Cave And The Bad Seeds. Neil Crossley assesses the sonic delights amidst the slaughter…Īnyone tuning in to the 19 October 1995 edition of Top Of The Pops would have been greeted by an assured and exuberant Kylie Minogue, welcoming viewers to the show. For their ninth album, Nick Cave And The Bad Seeds took a creative left-turn by delivering a collection of songs that was as gruesome as it was enthralling.